And Hounsou, though he delivers a one-note performance, is still fun to watch. The script isn't memorable, but the dialogue is believable, and star Faris is blessed with an easy smile and a likable swagger. The film will be produced by Mandalay Pictures, Wonder Street and Sony Pictures Worldwide Acquisitions. According to Deadline, Kellie Madison will direct the fourth installment of the Never Back Down franchise, which is called Never Back Down: Revolt. DateDOWRankDaily YDTheatersAvgTo DateDayEstimatedMar 14Frida圓3,309,8942,7291,2123,309,8941falseMar 15Saturday43,213,9322.92,7291,1776,523,8262falseMar 16Sunday42,079,36935. The movie's also riddled with cliches there's a supportive girlfriend, a funny sidekick, mantras ("Control the outcome"), and even a race between the mentor and the mentee that's a straight rip-off of Rocky.ĭirector Jeff Wadlow does manage to drum up some excitement by letting the action unspool with a light touch. A new Never Back Down movie is on the way. Get instant access to the widest sports coverage on the net directly from any location. The Online TV Player is ideal for the frequent full movies traveler in long airport waits and train rides. The cynic in me says that they simply threw Never Back Down onto an existing script. Watch Never Back Down: Revolt Movie ( 2021) Live Stream all the Movie highlights and interviews live on your PC. There's little nuance or complication and so many fight scenes that when the movie finally gets to the big beat down, it's almost anti-climactic - it just feels like yet another battle. After focusing on Michael Jai White’s character Case Walker in the second and third films, Never Back Down: Revolt takes the franchise in an entirely new direction and with a whole new female centric cast and crew. And though, like better sports films, the film does attempt to reveal the internal struggles that fuel the physical ones, it does so with overly broad strokes. The cuts are so quick that you can't appreciate any technique.
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As a writer on the William Morris Web site noted, Goapele was "torn between the need to express her feelings … while maintaining respect for those who had lost their lives and families." In the writer's view, the resulting song "is equally disturbing, reflective, and uplifting." Neva Chonin of the San Francisco Chronicle, in a review of a live performance by Goapele, described "Red, White & Blue" as "an elegantly soulful critique of lockstep patriotism." Chonin added that the artist "possesses a keen social sensibility that, coupled with a poet's eye, delivers heavy messages with uncommon grace." "Red, White & Blue," for example, written after the terrorist attacks of September 11, 2001, expresses her feeling that Americans should not automatically support a militaristic response to terrorist threats. The CD features a mix of love songs and more politically oriented material. The CD received a three-star review in Rolling Stone and a positive review in Billboard. To distribute the CD, titled Even Closer, she, her brother Namane, and friend Theo Rodrigues formed their own independent label, Skyblaze.Įven Closer was another regional hit, with San Francisco hip-hop station KMEL giving airtime to the CD's single, "Closer." It also brought Goapele to national attention. In 2002 she reworked her debut record, adding five new songs. At the same time, she was building a devoted audience through her popular live performances in the Bay Area. Industry insiders liked what they heard, and the EP sold 5,000 copies, largely due to word-of-mouth recommendations. Returning to the Bay area after her stint at Berklee, Goapele concentrated on writing and recording songs, and with the help of her family she put out a promotional 9-song disc, Closer, in 2001. Determined to make music her life's work, she enrolled at the Berklee College of Music in Boston, Massachusetts, after finishing high school. She also sang with the ensemble Vocal Motion. During high school she often sang at community events, and at age 14 she joined the Oakland Youth Chorus. From her earliest years, Goapele loved to sing, using her family as a practice audience. Music was equally important in the Mohlabane household, where recordings by Stevie Wonder, Nina Simone, Billy Holiday, Aretha Franklin, and Bob Marley shared space with those of African artists such as Miriam Makeba, Zulu Spear, and Hugh Masekela, whose music was banned in South Africa at that time. She later served with her mother on the national board of directors of Be Present, Inc., and also participated in peer education efforts of the community group Empowered Youth Educating Society (EYES). "These issues were not only important, but the focus of our everyday lives." At age ten, Goapele organized a Bay Area Black Women's Health Project peer-led support group, its first for preteens. "What two cultures faced historically forced my brother and I to be sensitive toward various cultures and social issues," the singer explained on the William Morris Web site. Growing up in the San Francisco Bay area, Goapele and her brother inherited their parents' commitment to political activism. Her name, which she uses without her surname, means "to move forward" in Sitswana, one of the languages spoken in her father's homeland. Goapele (pronounced "gwa-pa-lay") was born around 1978 in Oakland, California, the daughter of a South African father and a Jewish mother from New York City who had met and married in Kenya. Promotional materials on the Web site of her agent, William Morris Agency, claimed that "her music combines elements of soul, hip-hop, jazz and rhythm and blues into a smooth and seductive blend uniquely her own." Hailed as an original and mesmerizing voice in the new soul genre, singer Goapele has gained national attention since the release of her debut album, Even Closer, in 2001. |
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